This nifty little clip, Pulp Fiction as typography, really exemplifies the animated and expressive potential that type has in conjunction with motion. This typographic rendition, I feel actually has much much more aggression, angst, and general sense of urgency than the original. It's a pretty amazing thing when a combination of typefaces, point sizes, weights, and colors (with the occasional illustrative element), placed strategically within a static frame can more powerfully express emotion than actual human faces.
After watching it's type–driven sister above, the original version seems about as flat as an n–dash
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